Since the optical flow library cannot sustain real-time playback, as it happens with the existing Frame Blend function, Premiere Pro uses the time-consuming Optical Flow only for Time Remapping for high quality renders. The Optical Flow option in the Time Interpolation menu ( Clip > Video Options > Time Interpolation > Optical Flow) allows you to interpolate missing frames for time remapping and produce better looking and smoother slow motion from conventionally shot footage. The Optical Flow feature in Premiere Pro uses frame analyses and pixel motion estimation to create brand new video frames, resulting in smoother speed changes, time-remapping, and frame-rate conversion. Using the Source Monitor and Program Monitor.Latest plugins from third-party developers.Installing plugins and extensions in Premiere Pro.Troubleshoot issues related to playback and performance in Premiere Pro.How do I manage the Media Cache in Premiere Pro?.Green and pink video in Premiere Pro or Premiere Rush.Unable to migrate settings after updating Premiere Pro.Check if your system is compatible with Premiere Pro.Improving Performance and Troubleshooting.Best Practices: Working with native formats.Best Practices: Learning from broadcast production.Consolidate, transcode, and archive projects.Best Practices: Working with Productions.How clips work across projects in a Production.View auto-saves and versions of Team Projects.Share and manage changes with collaborators.Get started with collaborative video editing.Exporting projects for other applications.Exporting for the Web and mobile devices.Using HSL Secondary controls in the Lumetri Color panel.Adjust color using RGB and Hue Saturation Curves.Get creative with color using Lumetri looks.Overview: Color workflows in Premiere Pro.Compositing, alpha channels, and adjusting clip opacity.Viewing and adjusting effects and keyframes.Use Motion effect to edit and animate clips.Adding, navigating, and setting keyframes.Upgrade Legacy titles to Source Graphics.Retiring the Legacy Titler in Premiere Pro | FAQ.Best Practices: Faster graphics workflows.Download language packs for transcription.Use data-driven Motion Graphics templates.Replace images or videos in Motion Graphics templates.Install and use Motion Graphics templates.Add Responsive Design features to your graphics.Change the appearance of text and shapes.Overview of the Essential Graphics panel.Automatically reframe video for different social media channels.Overview of video effects and transitions.Set up and use Head Mounted Display for immersive video in Premiere Pro.Measure audio using the Loudness Radar effect.Advanced Audio - Submixes, downmixing, and routing.Monitor clip volume and pan using Audio Clip Mixer.Edit, repair, and improve audio using Essential Sound panel.Synchronizing audio and video with Merge Clips.Edit from sequences loaded into the Source Monitor.Find, select, and group clips in a sequence.Importing XML project files from Final Cut Pro 7 and Final Cut Pro X.Importing AAF project files from Avid Media Composer.Setting up your system for HD, DV, or HDV capture.Use Frame.io with Premiere Pro and After Effects.Use Premiere Pro in a dual-monitor setup.FAQ | Import and export in Premiere Pro.Best Practices: Create your own project templates.Open and edit Premiere Rush projects in Premiere Pro.Backward compatibility of Premiere Pro projects.GPU Accelerated Rendering & Hardware Encoding/Decoding.Hardware and operating system requirements.Best practices for updating Premiere Pro.Once you’ve adjusted the Ease In/Out speed, you can unrotate the object to the angle you need.Ĭontrol-click a keyframe and set it to Linear to have a constant speed between keyframes. NOTE: Dragging the dot around the keyframe puts a curve into the motion path (the dotted red line). Drag the dot along the motion path line to change the Ease In / Out speed.(This line is called a Bezier control handle.) Grab the small white dot at the end of the thin white line attached to the keyframe.Rotate the object to move the position of the rotation handle.Here’s how to change the speed of this acceleration after applying a keyframe: This means an object accelerates when leaving a keyframe and decelerates when approaching a keyframe. The speed of an object leaving a keyframe.īy default, all keyframes in Final Cut Pro have both Ease In and Ease Out applied. The speed of an object approaching a keyframe. We can change the ease-in / ease-out speed when animating objects in Final Cut using keyframes.Įase In and Ease Out refer to the acceleration of an object when it is animated using keyframes. I discovered this tip while researching a recent PowerUP webinar. Drag the Bezier control handle along the motion path to change the Ease In/Out speed.
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